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shop window: glass before 1900 (page 2 of 4)
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here A Fritz Heckert iridescent vase, the radium-green body (shown under UV light at right) with four applied lion's-head prunts. Although the Heckert refinery was better known for hand-enamelled decoration, from about 1889 they did produce some plain glassware of their own. Some pieces featured these lion's-head prunts, possibly inspired by earlier Venetian glassware (the lion is the symbol of St Mark, patron saint of Venice)
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here A very pretty Stevens & Williams spangled rose-bowl, cased pink over white with mica inclusions
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here A pretty bronze-glass vase by Thomas Webb & Sons, with ground and polished pontil
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here A fine Georgian 'Prussian'-shaped decanter with three plain neck-rings (centre) and cut bull's-eye stopper (second right). The body is panel-cut to the neck and shoulders, over a band of diamonds, over flutes, with prism-cutting between (right)
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here An elegant Stourbridge optic-ribbed vaseline-glass vase. From its' shape, it was possibly intended for growing hyacinths bulbs in, although it is rather taller than is normal for this purpose. The photo at centre shows the effect of ultraviolet light
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A superb, rare Moser juice-glass, the olive-green body with a Roman soldier's head hand-enamelled in white, the rest of the surface covered with hand-gilded swirl decoration
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We had thought that this pale blue opaline tazza dated from the first half of the 19th Century. However, a colleague suggests that the decoration, with its sepia transfer of two classical figures in the centre, and hand-applied gilt and enamel, may well have been inspired by the Northwood carved-cameo tazzas. If this is true, it would date to about 1880. The base is enamelled 'S' and 'C' (see detail at right), which are probably decorator's marks
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