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shop window: post-War glass (page 2 of 3)
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here A Vasart 'ogee'-shaped bowl. The 'spider's-web' decor, shading from green to reddish-brown, is very similar to Monart, as is the way the pontil is finished, and we suspect it is an early piece, possibly by Salvador Ysart
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here A gorgeous, heavy sommerso vase, of ovoid form with four flat-ground 'portholes'. From the 'blu/rosso' series designed by Flavio Poli for Seguso Vetri d'Arte, circa 1954
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here Much less commonly found than Strathearn's paperweights, are the functional items such as corkscrews and bottle-openers (like this one - shown roughly life-sized in the lower photos) mounted with miniature paperweights
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here A Kosta Boda vase, designed by Kjell Engman, with fired-on transfers of birds and trees in a landscape, the sky of translucent white, with marvered-on green and brown glass speckles to represent the ground. The base is engraved 'Kosta Boda, K Engman, 58203' (second right), and the vase carries the original label (right)
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here We think this heavy decanter may be a product of the Holmegaard glassworks in Denmark, but we are not 100% sure. The body is cased a deep amethyst over opaque white glass (visible on the end of the stopper in the photo at right), and Holmegaard certainly produced many pieces in the 1960s cased with a colour over white in this manner
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A Monart vase, probably just post-War. The shape code is N, the body in a mottled blue glass with swirls, marbled with black and aventurine spatters toward the rim. The base is completely ground flat, as is sometimes the case with smaller vases
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A handsome Powell/Whitefriars limited-edition goblet with red, white & blue twist stem, the bowl engraved '2nd EIIR June, 1953' beneath a crown, commemorating the coronation of Queen Elizabeth II. The underside of the pontil is engraved 'WHITEFRIARS, No 278' (the highest serial number we have ever come across was about 1,750 or so, but we don't know exactly how many were made). These goblets were blown by Frank Hill, the diamond-point engraving executed by William Wilson. The shape was originally designed in 1936 for the coronation of King George VI, Queen Elizabeth's father
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