It takes other people an entire book to sort out the history of glassmaking - we manage it with one table! Well, maybe not, but we hope this potted history will be of some use in making sense of the progression of developments. (All dates are taken from authoritative sources, though experts may differ on some of them).
15th Century BC | 1499 - 1400 | Glass first produced, probably in Egypt. Cartouche of King Thotmes III (1501-1449) on three vases. Silica (flint/quartz/sand) + potash (from burnt wood/bracken). Threads of molten glass wound around soft clay core & flattened, or core dipped. |
14th - 5th Century BC | 1399 - 400 | No major developments |
4th Century BC | 399 - 300 | The foundation of Alexandria in 331 (by Alexander the Great, after conquering Asia Minor, Palestine & Egypt) accelerates development of glass production.. |
3rd - 2nd Century BC | 299 - 100 | Not a lot happening |
1st Century BC | 99 - 0 | Technique of blowing glass discovered. After the Roman conquest of Egypt in 27 BC, glass starts to arrive in Rome in great quantity, and the art is spread throughout Roman Empire. |
1st - 3rd Century AD | 1 - 299 | Another quiet period |
4th Century AD | 300 - 399 | Foundation of Byzantium in 300. |
5th Century AD | 400 - 499 | After the sack of Rome in 410 AD. Emperor Constantine moves to Byzantium, which becomes centre of world trade. "Roman" glass now known as "Byzantine". |
6th Century AD | 500 - 599 | Dark ages - another quiet period |
7th Century AD | 600 - 699 | Strong Islamic influence. Degeneration of the art throughout Europe to a crude form, such as German Waldglas (forest glass). Cools quickly, leaving little time to manipulate it. Well-suited to cutting/engraving. |
8th - 10th Century AD | 700 - 999 | First recorded reference to Venetian glassmaking in 982 |
11th Century AD | 1000 - 1099 | Records show Venetian glassmakers had contact with Alexandria. |
12th Century AD | 1100 - 1199 | No longer the Dark ages, but another quiet period |
13th Century AD | 1200 - 1299 | Byzantium captured by Franks & Venetians, but Venetian glass industry already well-established. Soda added instead of potash, molten glass now plastic. Metal tinted dark grey, green, blue or yellow. All Venetian glassmaking moved to the island Murano in 1291, due to risk of fire to city of Venice |
14th Century AD | 1300 - 1399 | Presumably everybody too busy fighting! |
15th Century AD | 1450 | Renaissance of Murano glass after 100-year decline. Angelo Barovier invents cristallo (very clear soda glass - by adding manganese to soda glass), lattimo and calcedonio (agate glass) |
1450 - 1500 | Green, azure, blue and amethyst glass introduced in Murano, gold used in decoration |
1460 | Enamel and graffito (scratched gold-leaf) decoration re-introduced in Murano (abandoned 100 years earlier) |
End 15th C | Millefiori rods introduced into Murano glass decoration |
16th Century AD | 1527 | Filippo Catani introduces filigrana a retortoli (filigree glass) |
1535 | Vincenzo D'Angelo introduces diamond-point engraving on mirrors |
1549 | Vincenzo D'Angelo uses diamond-point engraving on other glass |
c 1570 | Venetian "ice" glass first mentioned |
17th Century AD | c 1600 | Incalmo and Fenicio techniques introduced in Murano |
c 1620 | Aventurine glass introduced in Murano |
1673 | Lead oxide added to potash glass by George Ravenscroft in England. This results in heavy, clear glass, ideal for cutting. Tints of dark grey, yellow or green. |
c 1690 | Girasol (opalescent) glass introduced in Murano |
end 17th C | Potash crystal used in Murano, in Bohemian style |
18th Century AD | 1700 - 1799 | Period of crisis for Venetian glass. Glassmaking in decline; mainly beads (for colonies), some vitreous paste, enamels & common items. Mostly Bohemian-style glass |
1710 | By 1710, the addition of red Lead had helped to eliminate most darker tints. Impurities satisfactorily controlled by 1750. Glass becomes increasingly clear during 18th & 19th centuries. |
1725 | Copper-wheel engraving introduced, becoming more sophisticated toward the late 1700s |
1730s | Giuseppe Briati uses Potash crystal in a Venetian style |
1740 | Folded foot disappears from English drinking-glasses (brief revival in early 1800s) |
1745 | Glass Excise Act passed in England |
1750 - 70 | Gothic revival |
1760 | Bell bowl disappears from English drinking-glasses |
1760 | Enamelling introduced in Britain |
1780 | Glass Excise in England doubled |
1797 | Fall of Venetian Republic, decline of Venice, ruled by French Republic, then Austrian & Napoleonic Empires |
19th Century AD | 1800 | Ground pontil introduced in English drinking-glasses(from 1760 on facet-cut wines) |
1800 - 20s | Regency cut glass (typically diamonds between step-cutting) |
1800 | Square foot introduced in English drinking-glasses in early 1800s |
1800 - 40 | Gothic revival (yes, another one!) |
1804 | Cased/cut glass originates in Bohemia |
1805 | Wrythen decoration disappears from English drinking-glasses |
1814 | Hapsburgh occupation of Venice (lasts 50 years) |
1820 - 70 | Rococo revival |
1820 | Sulphides introduced (also called "cameo incrustations") |
1820s | Lithyalin glass invented in Bohemia by Friedrich Egermann |
1820s - 30s | Various new colours introduced in Bohemia: violet, pink, blue, uranium-yellow & green (annagelb & annagrun) |
1825 | Pressed glass begins in USA |
1825 | Cased/cut glass begins in France |
1831 | Cristallo engraving introduced |
1832 | Staining introduced in Bohemia as a cheap substitute for cased and flashed glass |
1840 - 75 | Victorian "Gothick" style |
1840 - 50 | Lacy glass in production |
1841 | Pressed glass begins in Britain (primitive `cut' style during 1840s) |
1844 | Cased/cut glass begins in Britain |
c 1845 | Pietro Bigaglia revives use of aventurine in granito glass, and introduces multi-coloured filigree techniques |
1845 | Strong Bohemian influence in Britain in the late 1840s |
1845 | Glass Excise Act in England repealed |
1849 | Silvered ("mercury") glass invented |
c 1850 - 1900 | Recovery of Venetian style (much imitated abroad); copies of pre-Roman & Roman glass. Rediscovery of forgotten techniques |
1850 | Acid etching becomes popular (first discovered in Sweden 1771) |
1851 | Moulded "Roman pillars" style in vogue |
1851 | Ruby (Cranberry) glass in fashion. The year of the Great Exhibition |
1854 | Fratelli Toso begin to produce antique-style artistic objects |
1856 | Lorenzo Radi rediscovers calcedonio glass |
1857 | Air-trap decoration & acid-polishing patented by W H, B & J Richardson |
1860s | Reproduction of complex Settecento (18th Century) forms in Murano |
1860 | Gadget invented |
1861 | Historic Venetian Glass museum established in Murano town hall |
1862 | Strong Venetian influence in Britain as a result of London International Exhibition |
1865 | Geometric etching machine invented (first patterns were Greek key & overlapping circles) |
1866 | Antonio Salviati founds Salviati & Co (backed by English associates) |
1867 | Dab handle (bottom to top) introduced (traditional Pump handle [top to bottom] continued briefly) |
1869 | Cutting-off machines invented |
1870s | First use of murrhine for 1000 years by Vincenzo Moretti of Salviati & Co. Copies of ancient "sand-core" glassware with combed-thread decoration |
1874 | Crimping introduced, becoming gradually more complex |
1876 | Machine threading invented |
1877 | Crackle glass first produced |
1878 | Paris Universal Exhibition. Salviati & Co present engraved gold-leaf between two layers of glass; copies of palaeo-Christian glass & Augustean cameos. Iridescent (bronze) glass discovered, shown by Thomas Webb at the exhibition |
1878 - 1907 | Rock Crystal glass produced (copper-wheel engraved) |
1880 | Widespread use of acid-polishing & satin air-trap decoration (both originally patented by Richardsons in 1857). Cameo cutting & etching introduced. Trapped enamel decoration begins. Furnace-applied decoration from mid 1880s |
1886 | Heat-sensitive glass in production (Amberina patented in USA 1883). "Pull-up" technique introduced |
1889 | Silver electrodepositing on glass discovered |
1892 | Intaglio cutting introduced (stone wheel cutting) |
1895 | Verre-sur-verre technique introduced |
late 1800s | Development of "modern" Venetian style, consisting of dainty objects decorated with dragons, serpents & other brightly-coloured animals. The ancient Egyptian technique of pâte-de-verre re-introduced in France by Cros, Dammouse, Décorchement, Argy-Rousseau, |
20th Century AD | 1900 - 1999 | Soda-lime glass (lime adds stability & weather-proofing) still used for bottles, windows, light-bulbs; Lead-potash glass for tableware, Boro-silicate for laboratory & ovenware |
early 1900s | Murano glassmaking still entrenched in traditional patterns, despite Art Nouveau revolution elsewhere. Overly dependent on tourist industry |
1911 | Only four of the twelve major Murano glassworks still open (Compagnia di Venezia e Murano, Fratelli Toso, Artisti Barovier, Ferro Toso & Co) |
1910 - 20 | Belated Art Nouveau influence in Murano: Vittorio Toso with Hans Stoltenberg Leche for Fratelli Toso; Vittorio Zecchin with Teodoro Wolf-Ferrari for Artisti Barovier |
1913 - 25 | Murrhine designs by Giuseppe, Ercole & Nicolo Barovier for Artisti Barovier |
1916 | Graal glass developed at Orrefors by Simon Gate, with Albert Ahlin and Knut Bergqvist |
1920s | Cappellin & Venini produce undecorated but decorative pieces "light as a soap bubble, fragile and supremely useless" |
1925 | Paris "Exposition Internationale des Arts Decoratifs et Industriels Modernes" (Art Deco: anti-functional and based on elegant craftsmanship). Italian selection committee demanded the "rare and difficult object" |
1928 - 30s | Murano Novecento style; soft, plastic, sometimes asymmetric shapes. At first often opaque, from c 1936 consistently transparent. Often sommerso, internal layers gold-leaf, bullicante or sfumato - externally iridescent or corroso |
1936 | Ariel glass introduced at Orrefors by Edvin Öhrström, and developed by Vicke Lindstrand |