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a brief history of glass

It takes other people an entire book to sort out the history of glassmaking - we manage it with one table! Well, maybe not, but we hope this potted history will be of some use in making sense of the progression of developments. (All dates are taken from authoritative sources, though experts may differ on some of them).

15th Century BC

1499 - 1400

Glass first produced, probably in Egypt. Cartouche of King Thotmes III (1501-1449) on three vases. Silica (flint/quartz/sand) + potash (from burnt wood/bracken). Threads of molten glass wound around soft clay core & flattened, or core dipped.

14th - 5th Century BC

1399 - 400

No major developments

4th Century BC

399 - 300

The foundation of Alexandria in 331 (by Alexander the Great, after conquering Asia Minor, Palestine & Egypt) accelerates development of glass production..

3rd - 2nd Century BC

299 - 100

Not a lot happening

1st Century BC

99 - 0

Technique of blowing glass discovered. After the Roman conquest of Egypt in 27 BC, glass starts to arrive in Rome in great quantity, and the art is spread throughout Roman Empire.

1st - 3rd Century AD

1 - 299

Another quiet period

4th Century AD

300 - 399

Foundation of Byzantium in 300.

5th Century AD

400 - 499

After the sack of Rome in 410 AD. Emperor Constantine moves to Byzantium, which becomes centre of world trade. "Roman" glass now known as "Byzantine".

6th Century AD

500 - 599

Dark ages - another quiet period

7th Century AD

600 - 699

Strong Islamic influence. Degeneration of the art throughout Europe to a crude form, such as German Waldglas (forest glass). Cools quickly, leaving little time to manipulate it. Well-suited to cutting/engraving.

8th - 10th Century AD

700 - 999

First recorded reference to Venetian glassmaking in 982

11th Century AD

1000 - 1099

Records show Venetian glassmakers had contact with Alexandria.

12th Century AD

1100 - 1199

No longer the Dark ages, but another quiet period

13th Century AD

1200 - 1299

Byzantium captured by Franks & Venetians, but Venetian glass industry already well-established. Soda added instead of potash, molten glass now plastic. Metal tinted dark grey, green, blue or yellow. All Venetian glassmaking moved to the island Murano in 1291, due to risk of fire to city of Venice

14th Century AD

1300 - 1399

Presumably everybody too busy fighting!

15th Century AD

1450

Renaissance of Murano glass after 100-year decline. Angelo Barovier invents cristallo (very clear soda glass - by adding manganese to soda glass), lattimo and calcedonio (agate glass)

1450 - 1500

Green, azure, blue and amethyst glass introduced in Murano, gold used in decoration

1460

Enamel and graffito (scratched gold-leaf) decoration re-introduced in Murano (abandoned 100 years earlier)

End 15th C

Millefiori rods introduced into Murano glass decoration

16th Century AD

1527

Filippo Catani introduces filigrana a retortoli (filigree glass)

1535

Vincenzo D'Angelo introduces diamond-point engraving on mirrors

1549

Vincenzo D'Angelo uses diamond-point engraving on other glass

c 1570

Venetian "ice" glass first mentioned

17th Century AD

c 1600

Incalmo and Fenicio techniques introduced in Murano

c 1620

Aventurine glass introduced in Murano

1673

Lead oxide added to potash glass by George Ravenscroft in England. This results in heavy, clear glass, ideal for cutting. Tints of dark grey, yellow or green.

c 1690

Girasol (opalescent) glass introduced in Murano

end 17th C

Potash crystal used in Murano, in Bohemian style

18th Century AD

1700 - 1799

Period of crisis for Venetian glass. Glassmaking in decline; mainly beads (for colonies), some vitreous paste, enamels & common items. Mostly Bohemian-style glass

1710

By 1710, the addition of red Lead had helped to eliminate most darker tints. Impurities satisfactorily controlled by 1750. Glass becomes increasingly clear during 18th & 19th centuries.

1725

Copper-wheel engraving introduced, becoming more sophisticated toward the late 1700s

1730s

Giuseppe Briati uses Potash crystal in a Venetian style

1740

Folded foot disappears from English drinking-glasses (brief revival in early 1800s)

1745

Glass Excise Act passed in England

1750 - 70

Gothic revival

1760

Bell bowl disappears from English drinking-glasses

1760

Enamelling introduced in Britain

1780

Glass Excise in England doubled

1797

Fall of Venetian Republic, decline of Venice, ruled by French Republic, then Austrian & Napoleonic Empires

19th Century AD

1800

Ground pontil introduced in English drinking-glasses(from 1760 on facet-cut wines)

1800 - 20s

Regency cut glass (typically diamonds between step-cutting)

1800

Square foot introduced in English drinking-glasses in early 1800s

1800 - 40

Gothic revival (yes, another one!)

1804

Cased/cut glass originates in Bohemia

1805

Wrythen decoration disappears from English drinking-glasses

1814

Hapsburgh occupation of Venice (lasts 50 years)

1820 - 70

Rococo revival

1820

Sulphides introduced (also called "cameo incrustations")

1820s

Lithyalin glass invented in Bohemia by Friedrich Egermann

1820s - 30s

Various new colours introduced in Bohemia: violet, pink, blue, uranium-yellow & green (annagelb & annagrun)

1825

Pressed glass begins in USA

1825

Cased/cut glass begins in France

1831

Cristallo engraving introduced

1832

Staining introduced in Bohemia as a cheap substitute for cased and flashed glass

1840 - 75

Victorian "Gothick" style

1840 - 50

Lacy glass in production

1841

Pressed glass begins in Britain (primitive `cut' style during 1840s)

1844

Cased/cut glass begins in Britain

c 1845

Pietro Bigaglia revives use of aventurine in granito glass, and introduces multi-coloured filigree techniques

1845

Strong Bohemian influence in Britain in the late 1840s

1845

Glass Excise Act in England repealed

1849

Silvered ("mercury") glass invented

c 1850 - 1900

Recovery of Venetian style (much imitated abroad); copies of pre-Roman & Roman glass. Rediscovery of forgotten techniques

1850

Acid etching becomes popular (first discovered in Sweden 1771)

1851

Moulded "Roman pillars" style in vogue

1851

Ruby (Cranberry) glass in fashion. The year of the Great Exhibition

1854

Fratelli Toso begin to produce antique-style artistic objects

1856

Lorenzo Radi rediscovers calcedonio glass

1857

Air-trap decoration & acid-polishing patented by W H, B & J Richardson

1860s

Reproduction of complex Settecento (18th Century) forms in Murano

1860

Gadget invented

1861

Historic Venetian Glass museum established in Murano town hall

1862

Strong Venetian influence in Britain as a result of London International Exhibition

1865

Geometric etching machine invented (first patterns were Greek key & overlapping circles)

1866

Antonio Salviati founds Salviati & Co (backed by English associates)

1867

Dab handle (bottom to top) introduced (traditional Pump handle [top to bottom] continued briefly)

1869

Cutting-off machines invented

1870s

First use of murrhine for 1000 years by Vincenzo Moretti of Salviati & Co. Copies of ancient "sand-core" glassware with combed-thread decoration

1874

Crimping introduced, becoming gradually more complex

1876

Machine threading invented

1877

Crackle glass first produced

1878

Paris Universal Exhibition. Salviati & Co present engraved gold-leaf between two layers of glass; copies of palaeo-Christian glass & Augustean cameos. Iridescent (bronze) glass discovered, shown by Thomas Webb at the exhibition

1878 - 1907

Rock Crystal glass produced (copper-wheel engraved)

1880

Widespread use of acid-polishing & satin air-trap decoration (both originally patented by Richardsons in 1857). Cameo cutting & etching introduced. Trapped enamel decoration begins. Furnace-applied decoration from mid 1880s

1886

Heat-sensitive glass in production (Amberina patented in USA 1883). "Pull-up" technique introduced

1889

Silver electrodepositing on glass discovered

1892

Intaglio cutting introduced (stone wheel cutting)

1895

Verre-sur-verre technique introduced

late 1800s

Development of "modern" Venetian style, consisting of dainty objects decorated with dragons, serpents & other brightly-coloured animals. The ancient Egyptian technique of pâte-de-verre re-introduced in France by Cros, Dammouse, Décorchement, Argy-Rousseau,

20th Century AD

1900 - 1999

Soda-lime glass (lime adds stability & weather-proofing) still used for bottles, windows, light-bulbs; Lead-potash glass for tableware, Boro-silicate for laboratory & ovenware

early 1900s

Murano glassmaking still entrenched in traditional patterns, despite Art Nouveau revolution elsewhere. Overly dependent on tourist industry

1911

Only four of the twelve major Murano glassworks still open (Compagnia di Venezia e Murano, Fratelli Toso, Artisti Barovier, Ferro Toso & Co)

1910 - 20

Belated Art Nouveau influence in Murano: Vittorio Toso with Hans Stoltenberg Leche for Fratelli Toso; Vittorio Zecchin with Teodoro Wolf-Ferrari for Artisti Barovier

1913 - 25

Murrhine designs by Giuseppe, Ercole & Nicolo Barovier for Artisti Barovier

1916

Graal glass developed at Orrefors by Simon Gate, with Albert Ahlin and Knut Bergqvist

1920s

Cappellin & Venini produce undecorated but decorative pieces "light as a soap bubble, fragile and supremely useless"

1925

Paris "Exposition Internationale des Arts Decoratifs et Industriels Modernes" (Art Deco: anti-functional and based on elegant craftsmanship). Italian selection committee demanded the "rare and difficult object"

1928 - 30s

Murano Novecento style; soft, plastic, sometimes asymmetric shapes. At first often opaque, from c 1936 consistently transparent. Often sommerso, internal layers gold-leaf, bullicante or sfumato - externally iridescent or corroso

1936

Ariel glass introduced at Orrefors by Edvin Öhrström, and developed by Vicke Lindstrand

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