|
|
shop window: new arrivals (page 1 of 4)
before 1900
A late 19th Century green-bodied jug (shown slightly smaller than life-sized at top, right), probably from the Moser glassworks. The body is hand-enamelled and -gilded all over with floral decoration
A single Salviati bicchiere (shown about life-sized, from various angles), circa 1870s. The body is of amber glass with applied turquoise granzioli
A late 19th Century Bohemian juice-glass (shown considerably smaller than life-sized), the pale green body with hand-applied gilt, platinum and enamelled decoration. Probably from the Moser glassworks
A small Harrach bubble-iridescent vase (shown roughly life-sized at left) with hand-applied black and white enamelled decoration, circa 1880s The condition is generally good, but the white-enamel dots around one side of the base of the neck are missing (see detail at right). We think this was a manufacturing fault (once fired-on, the enamel dots would be next to impossible to remove), and this imperfection is reflected in the low asking price
A splendid late 19th Century Venetian tazza (shown much smaller than life-sized) by the Salviati glassworks. The main body is of clear glass with yellow (and a very few pink) splashes, and applied gold leaf. The dish has an applied pink rim, and the foot rim is folded. The applied winged dragon is of clear glass with included gold leaf, black and yellow cane-section eyes, and a pink tongue. His spade-ended tail is tucked undeneath the dish (see detail at top left)
A wonderful mid 19th Century Bohemian posy-vase in the form of a basket (shown roughly life-sized in the details at lower left & centre), possibly from the Harrach glassworks. The body is of uranium-glass (see detail at lower right for effect of UV light) over an opaque white interior, the exterior octagonally panel-cut, with gilt and floral-enamelled decoration (see details at lower left and centre) The vase is generally in excellent condition, but there is wear to the gilding on the rim (see 'bird's-eye' view at lower top left), which could be restored for very little cost if required
A fine, early 19th Century carafe (shown very much smaller than life-sized, from various angles), with looped 'Nailsea' decoration, on an applied foot. The body of the glass contains two 'seeds' (specks of impurity - arrowed in red in the details), commonly found in 18th and early 19th century glassware, and a good sign of age
An elegant, glossy "Queen's Burmese" vase (shown much smaller than life-sized) by Thomas Webb & Sons The vase is in good condition, but there are a couple of greyish 'smear' marks to the top of the foot (just visible in the details at lower centre and right) which must have occurred during manufacture. They are very superficial, and could easily be polished out by a competent restorer if required
A good example of the Loetz Rusticana decor (shown much smaller than life-sized at left) from the late 1890s. This particular shape was commissioned by the London importer and retailer Max Emanuel The vase is in generally good condition, but has two small rim imperfections. The first (arrowed in the detail below, left) is a small area of roughness that was caused during manufacture, while the other (arrowed in the detail below, right) is a tiny chip that must have occurred later. Both are reflected in the asking price
Another Loetz piece, this Olympia flower-bowl (shown much smaller than life-sized, from various angles, and under UV light) is also from the late 1890s The bowl is in generally fair condition, but has some surface scratching in places
A fine late19th Century vaseline-glass jug (shown very slightly smaller than life-sized at top, and under ultraviolet light at lower right) with spiral decoration. The applied handle is of clear glass, and the pontil is ground and polished (lower centre). The body is indented in four places, rather like some Powell pieces, but we think it is probably by Webb
A sweet little early 19th Century eggcup (shown roughly life-sized, from various angles) with ruffled rim, the white opaline body decorated with hand-enamelled blue lines, and with floral decoration. The pontil has been neatly cracked off
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||