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shop window: new arrivals (page 1 of 4)
before 1900
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here A printy-cut oval box with gilt decoration, and a superbly-executed Schwarzlot-enamelled scene of a lady and gentleman on the lid (both the top and the underside of the lid are shown in the details above), which we believe to have been decorated in the workshop of Josef Lenhardt, possibly for Lobmeyr, although it does not bear the Lobmeyr mark
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here A radium-green claret-jug with hand-enamelled hunting scenes, from the workshop of Anton Ambrosius Egermann (son of Friedrich Egermann) for the Viennese company Lobmeyr. Egermann was noted for his Historismus enamelled glassware, and only worked to commissions from Lobmeyr for a short time (1873 to 1878). As with all such pieces, the base of this one is enamelled with both the Egermann 'anchor with 3 stars' in white, and the Lobmeyr logo in blue (see detail at right)
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here A late 19th Century Theresienthal olive-green Römer with rasperry-prunted knop to the hollow stem, the bowl hand-enamelled and -gilded with Rococo decoration
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here Another, very similar (but slightly lighter in weight), late 19th Century Theresienthal olive-green Römer with rasperry-prunted knop to the hollow stem, the bowl hand-enamelled and -gilded with Rococo decoration
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here An impressive mid 19th Century hand-enamelled goblet on bobbin stem. The bowl is decorated with floral swags, among which is a cherub (apparently dressed in tartan!) holding a bunch of grapes. Another piece that we think was made in either France or Belgium
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here The first of two late 19th Century hand-enamelled beakers from the Fritz Heckert studio. This sort of 'Historismus' glassware was extremely fashionable in Germany in the 19th Century, rather as the legend of King Arthur and the Round Table was in England. This one is marked 'Titke von Möllendorf, 1594' with an elaborate coat-of-arms. Sometimes the pieces were reproductions of genuine old glassware, sometimes they were only loosely based on pieces from the period. Although there was no intent to deceive, the studio has even applied a thin enamel wash to the interior, and tried to make the gilding look distressed, so as to give the beaker a more authentic 'aged' look. The base is signed 'FH.', '420/1' and 'J25' in white enamel, in typical Heckert fashion
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here The second of two late 19th Century hand-enamelled beakers from the Fritz Heckert studio. This one is very similar in execution, with the same 'distressed' gilding and 'aged' enamel wash, but is marked 'COM:ET:BAR:DE.ROGENDORF, 1634' with an even more elaborate coat-of-arms. The base is signed 'FH.' in white enamel, as before. However, a sliver of glass from the cracked-off pontil has been lost, so that the shape and pattern numbers now say '20/1' and '16', whereas we believe they would have said '420/1' and 'J16'
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here ' A handsome late 19th Century Josephinenhütte vase, the gold-lustred body almost 'mosque-lamp'-shaped, with three applied rope-twist handles. The body has three hand-gilded sections, divided by the handles - one rococo and two with floral decoration, and the rope-twists of the handles are highlighted with gilt lines
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here ' A wonderful late 19th Century Venetian bowl, very much inspired by glassware from the late 15th or early 16th Centuries, if not actually a copy of a piece from that period. It is in opalescent girasol glass, the bowl with gilded 'rigaree' trail around the bottom, supported on a hollow pedestal foot with 'mezza stampaura' ribbing and folded rim. Our first thought was that it was by Salviati, but the enamelled and graffito gold-leaf decoration is more typical of the Compagnia di Venezia e Murano
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here ' A sweet mid 19th Century miniature Clichy vase, horizontally rib-moulded over diagonal mezza filigrana threading, with applied blue rim
Click on any photo to see it full size, then click the 'back' arrow of your browser to return here ' A translucent mid 19th Century white opaline scent-bottle, probably French, skilfully hand-enamelled with three posies of flowers. Both the base of the bottle and the stopper are numbered '8' in blue enamel Some of the gilt-line decoration on the neck and stopper has worn away, otherwise the condition is very good
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